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[ edit ] Definition [ sunting ] Definisi
These are: Ini adalah:- Dances performed inside the sanctum of the temple according to the rituals were called Agama Nartanam . Tarian dilakukan di dalam bilik candi sesuai dengan ritual yang disebut Agama Nartanam . Natya Shastra classifies this type of dance form as margi , or the soul-liberating dance, unlike the desi (purely entertaining) forms. Natya Shastra mengklasifikasikan jenis bentuk tarian sebagai margi , atau tari-membebaskan jiwa, tidak seperti desi (murni menghibur) bentuk.
- Dances performed in royal courts to the accompaniment of classical music were called Carnatakam . Tarian dilakukan di pengadilan kerajaan dengan iringan musik klasik disebut Carnatakam . This was an intellectual art form. Ini merupakan bentuk seni intelektual.
- Darbari Aattam form of dance appealed more to the commoners and it educated them about their religion, culture and social life.the kings of that time used to make der daughtres learn dance. Aattam Darbari bentuk tari mengajukan banding lebih untuk rakyat jelata dan pendidikan mereka tentang agama mereka, budaya dan raja-raja life.the sosial waktu itu digunakan untuk membuat daughtres der belajar tarian.
For lack of any better equivalents in the European culture, the British colonial authorities called any performing art forms found in India as “Indian dance”. Untuk tidak adanya setara lebih baik dalam budaya Eropa, penguasa kolonial Inggris disebut apapun bentuk seni pertunjukan yang ditemukan di India sebagai “tari India”. Even though the art of Natya includes nritta , or dance proper, Natya has never been limited to dancing and includes singing, abhinaya ( mime acting). Meskipun seni Natya termasuk nritta , atau tari yang tepat, Natya tidak pernah terbatas pada menari dan menyanyi termasuk, abhinaya ( mime bertindak). These features are common to all the Indian classical styles. Fitur-fitur yang umum untuk semua gaya klasik India. In the margi form Nritta is composed of karanas , while the desi nritta consists mainly of adavus . Dalam margi bentuk Nritta terdiri dari karanas , sedangkan desi nritta sebagian besar terdiri dari adavus .
The term “classical” (Sanscr. “Shastriya”) was introduced by Sangeet Natak Akademi to denote the Natya Shastra -based performing art styles. Istilah “klasik” (Sanscr. “Shastriya”) diperkenalkan oleh Sangeet Natak Akademi untuk menunjukkan Natya Shastra berbasis gaya seni pertunjukan. A very important feature of Indian classical dances is the use of the mudra or hand gestures by the artists as a short-hand sign language to narrate a story and to demonstrate certain concepts such as objects, weather, nature and emotion. Sebuah fitur yang sangat penting dari tarian klasik India adalah penggunaan mudra atau isyarat tangan oleh seniman sebagai tangan pendek bahasa isyarat untuk menceritakan cerita dan untuk menunjukkan konsep-konsep tertentu seperti objek, cuaca, alam dan emosi. Many classical dances include facial expressions as an integral part of the dance form. Banyak tarian klasik termasuk ekspresi wajah sebagai bagian integral dari bentuk tarian.
[ edit ] Eight classical dances [ sunting ] Delapan tarian klasik
Sangeet Natak Akademi currently confers classical status on eight Indian dance styles: [ 1 ] [ 2 ] Sangeet Natak Akademi klasik saat ini menganugerahkan status pada delapan gaya tari India: [1] [2]
| Dance form Tari bentuk | State(s) of origin Negara (s) Asal |
|---|---|
| Bharatanatyam Bharatanatyam | Tamil Nadu Tamil Nadu |
| Kathak Kathak | North Indian States Negara India Utara |
| Kathakali Kathakali | Kerala Kerala |
| Kuchipudi Kuchipudi | Andhra Pradesh Andhra Pradesh |
| Manipuri Manipuri | Manipur Manipur |
| Mohiniyattam Mohiniyattam | Kerala Kerala |
| Odissi Odissi | Orissa Orissa |
| Sattriya Sattriya | Assam Assam |
- Gaudiya Nritya – Bengali Art Dance Gaudiya Nritya – Bengali Seni Tari
- Andhra Natyam – Telugu Art Dance Natyam Andhra – Telugu Seni Tari
- Vilasini Nrityam/Natyam – Telugu Art Dance Vilasini Nrityam / Natyam – Telugu Seni Tari
Kuchipudi , which also prescribes the lip movements indicating Vaachikaabhinaya, and Mohiniyattam are relatively recent Darbari Aatam forms, just as Kathakali , and two eastern Indian styles, Manipuri and Sattriya , that are quite similar. Kuchipudi , yang juga mengatur gerakan bibir yang menunjukkan Vaachikaabhinaya, dan Mohiniyattam relatif baru Darbari Aatam bentuk, seperti Kathakali , dan dua gaya India timur, Manipuri dan Sattriya , yang sangat mirip.
Kathak originated as a temple dance. Kathak berasal sebagai tarian kuil. Some believe it evolved from Lord Krishna’s raas lilas . Beberapa percaya berevolusi dari Tuhan Krishna lilas Raas . The style gradually changed during the Mughal period under the influence of Persian dance , a major change being straight knees instead of the bent knees used in most other Indian classical forms. Gaya bertahap berubah selama Mughal periode di bawah pengaruh tari Persia , perubahan besar sedang lutut lurus, bukan menekuk lutut digunakan dalam kebanyakan bentuk klasik India. Intricate footwork and spins, as well as abhinaya , are the highlights of Kathak . gerak kaki yang rumit dan berputar, serta abhinaya , adalah highlights dari Kathak .
Currently, Sangeet Natak Akademi does not consider the recently reconstructed dance styles of Andhra Pradesh such as Andhra Natyam and Vilasini Natyam as “classical”. Bharatanrithyam , despite being the one most closely following Natya Shastra ‘s precepts, is considered as a variety of Bharatanatyam. Saat ini, Sangeet Natak Akademi tidak mempertimbangkan tari gaya baru direkonstruksi Andhra Pradesh seperti Andhra Natyam dan Vilasini Natyam sebagai “klasik”. Bharatanrithyam , meskipun yang paling dekat berikut Natya Shastra sila s ‘, dianggap sebagai berbagai Bharatanatyam .
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